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Au clair de la lune

French
Au clair de la lune, mon ami Pierrot
Prête-moi ta lume,* pour écrire un mot.
Ma chandelle est morte, je n'ai plus de feu.
Ouvre-moi ta porte, pour l'amour de Dieu.

Au clair de la lune, Pierrot répondit
Je n'ai pas de lume, je suis dans mon lit.
Va chez la voisine, je crois qu'elle y est
Car dans sa cuisine, on bat le briquet.

Au clair de la lune, l'aimable Lubin
Frappe chez la brune, elle répond soudain
"Qui frappe de la sorte ? ", il dit à son tour
"Ouvrez votre porte pour le Dieu d'Amour"

Au clair de la lune, on n'y voit qu'un peu
On chercha la lume, on chercha du feu
En cherchant d'la sorte je n'sais c'qu'on trouva
Mais je sais qu'la porte sur eux se ferma.

English
Under the moonlight, my friend Pierrot,
Lend me your light, so I could write a word.
My candle is out, I've no more light.
Open your door for me, for the love of God.

Under the moonlight, Pierrot replied,
I've no light; I'm in my bed.
Go next door, I believe that she is in,
For in the kitchen, someone lit a match.

Under the moonlight, friendly Lubin
Knocks at the brunette's door, she suddenly replies
"Who's knocking this way", he says in his turn
"Open your door, for the god of love."

Under the moonlight, little can be seen
The light was looked for, fire was looked for
Searching this way, I don't know what was found
But I do know that the door, on them was shut.


*In modern versions, this word is "plume", meaning pen. "Lume" is derived from "lumière", meaning "light".
http://fr.wikipedia.org/wiki/Au_clair_de_la_lune

What You Will

  • Jan. 17th, 2009 at 11:26 AM
Doctor-Donna
This should be the last post about my recent trip to London. As I mentioned in an earlier post, I visited Westminster Abbey. Photographs were not allowed inside and I'd previously taken some photos of the outside on another trip, so I only took one on my visit there this time. It would probably be better to post this on Monday or to have posted it on Thursday, but this photo is a portion of the wall above the main door at Westminster Abbey displaying the statues of 9 "martyrs," according to the tour guide. I've captured 3 of them here, the one in the middle being Martin Luther King, Jr.:

Cut for photo )

I think I mentioned in my last post, too, that I'd gone to the Novello Theatre Saturday night, which was the closing night, to see whether I could get a return ticket for Hamlet, but there were none to be had by the time I arrived. So, I wandered around central London fairly aimlessly on Saturday night (coffee shop, bookstore, etc), but returned to the Novello Theatre, which really was on my way back to the hotel anyway, at the time the play was due to be over.

Read more about chasing David Tennant )

If there is anyone reading this who might like to see Hamlet on DVD, please sign this petition. (For those on Facebook, joining the group on Facebook isn't the same as signing the petition. I think the Facebook group is mainly for updates. According to the latest update there, though, Michael Boyd, the artistic director for the Royal Shakespeare Company, has been in contact with the petition's author and is reading the petition with interest.)

Sunday, which was my last full day in London, I went to see Twelfth Night. This is the story of a twin brother and sister who are shipwrecked and find themselves in an unfamiliar land, each thinking the other is dead. The sister, Viola, passes herself off as a boy to work for the local duke, Orsino, and is sent on his behalf to court Olivia. Unfortunately, Olivia falls in love with Viola (as the boy, Cesario) while Viola falls in love with Orsino. There are several other characters in the households of Orsino and Cesario involved in side storylines, one of which involves making Olivia's steward, Malvolio, believe that Olivia is actually in love with him. (A mean trick, I thought, but I guess it would have played well to people who were victims of a class system.) It turned out that my ticket for Twelfth Night was very good, row K in the stalls, and I really enjoyed it.

Read more about Twelfth Night )

Overall, the Shakespeare audience seems tougher than the musical theatre audience. Neither of the 2 Shakespearean plays got a full standing ovation, but Oliver! did.

Sunday evening, I was sent to a French restaurant at the Covent Garden Market for dinner by the hotel's concierge, who was French. As I was looking around the Market area for the restaurant, I came across a sextet who were performing in an open area of the Market near a pub. (Some of the pub's patrons were actually eating and drinking outside, despite the cold.) I sat and watched them for a few pieces (something by Mozart, "The Can-can", and the opening of Carmen) and gave them a couple of pounds. I also took a picture:

Cut for photos )



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